Downey had to play both parts, but only once with motion capture equipment attached to his face, when he played his younger self (opposite his older stand-in).ĭowney had to mimic the movements of his stand-ins, repeating their performances. Shot in one day, the scene utilized doubles - one stand-in for the adult Stark, and one young performer depicting 20-something Stark. “It’s even more difficult watching him do it.” “It’s difficult enough to explain,” said DeLeeuw. If you recall toward the end of the scene, present-day Stark appears in front of the hologram of his younger self.Īlso Read: Why 'Captain America: Civil War' Writers Cut Cap-vs-Black Widow Fight Scene “We cut off his arm and added a CG one in the final battle scene with Iron Man,” he said, explaining that limb replacement is pretty common in action sequences.Īrtists utilized face replacement techniques, like those used to make Michael Douglas appear decades younger in an early scene in “Ant-Man.” But the level of difficulty involved in the 4,000-frame Stark sequence was much greater because, as DeLeeuw explained, there are two Tony Starks in the frame. But sometimes effects artists decide the computer would do it better. “He has this uncanny ability to know what’s not there,” DeLeeuw said with a laugh. Having played Cap more than five times now, Evans is something of an expert when it comes catching his invisible shield, to be added later in the post production process. Chris Evans is a savant at wielding invisible shields
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It’s more about what’s done on top of that, and his skin is digitally smoothed.” His entire head is also reshaped, but, added DeLeeuw, “Everything ties back to the performance … It’s not mocap (motion capture).”Īlso Read: About That Black Widow Movie: Writers Say ScarJo Character Is Ready to LeadĤ. “We do a lot with digital faces now and are going to push the limit,” he said. The rest of his look is pretty much effects, according to DeLeeuw, down to the metal on his chin, the yellow gem on his forehead - Vision’s power source - and even the line features around his eyes. On set, Paul Bettany wears magenta makeup and a specially made cap on his head bearing Vision’s familiar geometric metal top. We enhance it in post.”ģ. How much of Vision is CG? (Answer: Almost all of him) “The material needed to be a mix of cloth and shiny. “We found ways to make everything better,” said DeLeeuw, who noted that most of the film was computer-tweaked, including Panther’s suit. Black Panther’s vibranium suit is CG-enhanced
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Then there’s a surprising inverse approach for the movie magic tech that DeLeeuw revealed: “We matched the action Chadwick Boseman and his stunt performer did, and a double over it.”Īlso Read: Robert Downey Jr In a Rabbit Suit Launches Meme Civil War (Photos)Ģ. What we shot didn’t work so we went ahead and used digital doubles.”Ī double was also used for Vision in that very sequence, when he flies over the fray. “In the airport fight scene we needed Cap and Bucky to dash to the Quinjet. But they were also used when footage of the real actors simply didn’t work out, DeLeeuw told TheWrap.Īlso Read: 6 Reasons Why 'Captain America' Casts Big Shadow Over 'Batman v Superman' More obvious digital stand-ins were used in the film’s pure-play action moves - like when Spider-Man is slinging his web and Falcon is flying. The digital doubles you probably didn’t spot “No one wanted the spikey hair from ‘Weird Science’ like I did!”ĭeLeeuw, who also worked on “Captain America: The Winter Soldier” and “Iron Man 3,” shared more astounding details about the three-minute Stark scene, as well as other surprising CGI secrets of “Civil War.”ġ. “We went a little closer to ‘Less Than Zero,'” said visual effects supervisor Dan DeLeeuw during an interview with TheWrap this week. They studied him playing mallrat bully Ian in the 1985 comedy “Weird Science,” as the best buddy of Rodney Dangerfield’s son in “Back to School,” and as a drug addicted rich kid in the big-screen adaptation of Bret Easton Ellis‘ “Less Than Zero.”
To make Tony Stark look like his younger self in “Captain America: Civil War,” artists referenced Robert Downey Jr.‘s early filmography.
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